Finally, it was time to get the rest of the shots needed to complete Winter Storm. It’s been way too long and waiting for this moment has been just as agonizing as the hardship I’ve encountered throughout making of this film. Right after principal photography, I lost my lead actor to a theater play in LA, then he performed in New York and he did all of this clean shaven. He started to grow his beard as soon as he returned to LA. He was 3 weeks into the beard growing process when the film’s DP suddenly became available too. I had to seize the moment.
I knew we couldn’t get the ARRI Alexa again (I’m not that lucky), so I started to search for a Canon 5D. Knowing the shots inside and out, I felt that I could get away with a semi-grown beard and a lesser quality camera. I also felt that color correction will be an additional headache, but we’ll deal with that later. Bottom line, I had to get my shots. We went out early in the morning and shot a bunch of different takes for the hunting and searching scenes. We grabbed some details, shot at different angles, long and medium shots and we also played with the pacing of the takes. I had a list of insert shots for other purposes, such as compositing, so we grabbed those as well. Even I was able to shoot a decent amount of footage, which is always fun and working with a word class DP you tend to pick up cool tricks. The stuff they don’t teach in film schools.
As you can see above, my biggest obstacle is the weather. It looks too bright (again!) for any kind of storm, not to mention a winter storm. It’ll be a laborious color correction process to tone down the sunshine in the footage. I have a few ideas on how to create a cold environment and I’ll revisit the issue soon with a nice little example. Stay tuned.