The Colors of Winter Storm
Posted on 22 May 2012
Once I was finished with the rough cut, I wanted to address the color issues I had from using two very different cameras and from shooting in unpleasantly great weather. This SoCal winter was the hottest one we had, sometimes above 80˚F, in the past 100 years! How was that supposed to look cold? I went to see my colorist, James Knott, and we spent a few hours on examining the project. He confirmed that it was going to be a rough ride. He could only make it work, he always does somehow, if we made realistic decisions about the look and came up with ideas to create an authentic winter feel. I believe I have a few of those ideas up in my sleeve…
Shortly after our meeting, I received a few reference frames from James. They are pretty rough, but good enough to get things rolling.
As a starting point, I chose the very last frames of both examples. This process seems to work the best for me. It tones down the bright spots and desaturates the colors, which helps us to convey a colder feel. I think it’ll look spectacular, once James starts cranking and I throw some After Effects magic at it at the very end.